The architecture of spectacular buildings in the city of Kazan in the context of national and regional traditions

Abstract

The specificity of the formation of facade and spatial solutions of large spectacular buildings in Kazan is considered in the context of national and regional traditions. Ornamental and decorative systems, adapted to the architectural and artistic styles that existed in this period were identified. The main approaches to the design of large spectacular buildings in the context of national and regional traditions in the architectural practice of Kazan in the middle and the end of the XX century were identified as follows: - based on the use of the dominant styles in the considered periods (classics with the ideological concept of socialism, modernism, postmodernism), adapted to the architectural traditions of the decorative system of the Middle Volga region; - based on the use of modern finishing materials – ceramics, majolica, natural stone, which has references to the traditions of facing the facades of Bulgar buildings with limestone and glazed tiles. The architects of the middle and the end of the XX century laid the foundations of modern regional-national architecture and the methodology for the formation of a decorative-artistic system that combines the stylistic techniques of classicism, modernism, postmodernism with techniques which had references to the Bulgar-Tatar traditions.

The Application of Central Plains Regional Culture in Commercial Space Design under the View of Artificial Intelligence

“…It is particularly popular to cultivate rich regional cultural connotations when meeting the functional needs of commercial space [5]. The creation of a regional cultural atmosphere can maximize the characteristics of commercial space, which is very important not only for the urban complex itself, but also for the main body of the urban spatial structure network in which it is located, and then for the construction and development strategy of the whole urban space [6][7][8]. There is currently a relative lack of theoretical research and practical application of regional culture design in commercial spaces both at home and abroad.…”