2010
DOI: 10.1016/j.histeuroideas.2010.06.002
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The anxiety of cultural authenticity in Turkish communitarian thought: Ahmet Hamdi Tanpınar and Peyami Safa on Europe and modernity

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Cited by 5 publications
(9 citation statements)
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“…9 Many of Tanpınar’s works convey a mood of post-imperial melancholy ( hüzün ), a gloomy state related to unease and unrest about Turkey’s severed ties with the Ottoman legacy. His political orientation has been a cause of debate (see Sezer 2010). As the writer Elif Shafak (2014, 20) has remarked, ‘[d]uring Tanpınar’s lifetime he was misunderstood and underestimated by both the Left and Right; today, decades after his death, he is adulated in Turkey almost to the point of worship’.…”
Section: Ahmet Hamdi Tanpınarmentioning
confidence: 99%
“…9 Many of Tanpınar’s works convey a mood of post-imperial melancholy ( hüzün ), a gloomy state related to unease and unrest about Turkey’s severed ties with the Ottoman legacy. His political orientation has been a cause of debate (see Sezer 2010). As the writer Elif Shafak (2014, 20) has remarked, ‘[d]uring Tanpınar’s lifetime he was misunderstood and underestimated by both the Left and Right; today, decades after his death, he is adulated in Turkey almost to the point of worship’.…”
Section: Ahmet Hamdi Tanpınarmentioning
confidence: 99%
“…On the other hand, the extant literature does not indicate such a drastic change in the representations of Europe in Turkey. Turks continued to perceive Europe both as a source of inspiration and anxiety in the post-Cold War era ( Bilgin & Bilgiç, 2012 ; Helvacıoğlu, 1999 ; Kuniholm, 2001 ; Kuzmanovic, 2008 ; Macmillan, 2013 ; Pesmazoglu, 1997 ; Sezer, 2010 ). However, similar to the previous periods, there is still a lack of a detailed analysis on how Europe was perceived in Turkey and how Turkey was received by European society in a comparative fashion.…”
Section: The Third Period (1946–1998)mentioning
confidence: 99%
“…In comparison to the previous periods, there is a remarkable decrease in the number of scholarly works informed by History ( Aktürk, 2007 ; Atakuman, 2010 ; Döşemeci, 2013 ; Yıldırım, 2014 ). Moreover, there are also a number of works informed by other genres such as Literary studies ( Aydın, 2003 ; Sabatos, 2000 ; Sezer, 2010 ; Soenen, 2000 ), Communication ( Buğday, 2003 ; Rougheri, 2000 ; Yanovski, 2000 ) and Sports ( Şenyuva & Tunç, 2015 ) that offer a nuanced approach to the prevailing literature.…”
Section: The Third Period (1946–1998)mentioning
confidence: 99%
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“…I argue that the ideas and formulations of Yakup Kadri Karaosmanoglu were fit for the modem and secular identity that was put forward by the Turkish ruling elites. On the other hand, Peyami Safa advocated a third alternative, a "synthesis" between past and future, East and West, modernity and tradition (Sezer 2010). In away, Safa tried to overcome the contradictions and disputes about Europeanization, nationalism, and Islamic conservatism in Turkish political and social thought with the idea of "synthesis."…”
Section: Nationalist Perspectives In Formulating Turkishness In the Ementioning
confidence: 99%