volume 11, issue 1, P92-107 2016
DOI: 10.1177/1746847716628713
View full text
|
|
Share

Abstract: This article examines the work of the Hungarian collage animator Sándor Reisenbüchler, whose career lasted from the mid-1960s until his death in 2004. It poses theoretical questions concerning the concept of an animation Esperanto, pivoting off Béla Balázs's early theories of an international film language. Through close studies of two of his films, the author claims that Reisenbüchler develops an animation Esperanto through his construction of landscapes, a significant break from an animation tradition that …

Expand abstract

Search citation statements

Order By: Relevance

Paper Sections

0
0
0
0
0

Citation Types

0
0
0

Publication Types

Select...

Relationship

0
0

Authors

Journals