2001
DOI: 10.2307/507361
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The Afghan Cultural Heritage Crisis: UNESCO's Response to the Destruction of Statues in Afghanistan

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Cited by 13 publications
(3 citation statements)
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“…A setting that is suffering from recent political occupation and potential cultural suppression is the Crimea and the Donbass region of eastern Ukraine, where Russia has recently started to conduct military operations and occupy the territory (Mbah and Wasum, 2022). In addition, future work could examine how place-based entrepreneurs engage in custodial work under authoritative regimes, such as that in Afghanistan, where the Taliban set out to destroy all the statues in the country and erase the Afghan cultural heritage (Manhart, 2001).…”
Section: Limitations and Future Researchmentioning
confidence: 99%
“…A setting that is suffering from recent political occupation and potential cultural suppression is the Crimea and the Donbass region of eastern Ukraine, where Russia has recently started to conduct military operations and occupy the territory (Mbah and Wasum, 2022). In addition, future work could examine how place-based entrepreneurs engage in custodial work under authoritative regimes, such as that in Afghanistan, where the Taliban set out to destroy all the statues in the country and erase the Afghan cultural heritage (Manhart, 2001).…”
Section: Limitations and Future Researchmentioning
confidence: 99%
“…Consequently, an unspecified number of objects in the museum were destroyed. On 26th February 2001, an edict prohibited the 'adoration of idols' (Manhart, 2001) branding the two 6th-century Buddha statues in Bamiyan "a sanctuary for unbelievers". In March 2001, the Buddhas were dynamited.…”
Section: Cultural Heritagementioning
confidence: 99%
“…Besides human suffering, an unprecedented attack on Afghanistan’s cultural heritage has unfolded in broad daylight, sometimes even on live TV. While high-profile attacks, such as the notorious case of the Bamiyan Buddha [ 1 ], have captured the attention of the international community, the true size and scale of the war-related damage, as well as the effects of sustained looting of cultural heritage are still under assessment [ 2 – 6 ].…”
Section: Introductionmentioning
confidence: 99%