2006
DOI: 10.3763/asre.2006.4923
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The Acoustical Performance Analysis of Bilkent Amphitheater: Proposal for Acoustical Renovation

Abstract: The user has requested enhancement of the downloaded file.Keywords: Room acoustics, Acoustical parameters, Acoustical simulation, Acoustical design, Multi-purpose hall, Room acoustics. © 2006 University of Sydney. All rights reserved. Architectural Science ReviewVolume 49.2, pp 167-178 www.arch.usyd.edu.au/asr *Department of Interior Architecture and Environmental Design, Bilkent University, 06800 Bilkent, Ankara, Turkey †Corresponding author. Tel.:+90-0312-290 2592; Fax: +90-0312-266 4136 E-mail:semiha@bilken… Show more

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Cited by 4 publications
(5 citation statements)
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“…Every space has its own unique sound environment; soundscapes, the underlying sound sources and the acoustical requirement differences [27][28][29][30] This requirements would vary and more complex in indoor spaces, since auditory perception will differ due to the interfering factors such as building geometries, finishing materials, activities and reverberation [17,31]. Indoor spaces have much more complex acoustical environments than outdoor spaces and any kind of indoor space (metro stations, high schools, restaurants, opera-concert halls, hospitals, etc.)…”
Section: The Soundscape Conceptmentioning
confidence: 99%
“…Every space has its own unique sound environment; soundscapes, the underlying sound sources and the acoustical requirement differences [27][28][29][30] This requirements would vary and more complex in indoor spaces, since auditory perception will differ due to the interfering factors such as building geometries, finishing materials, activities and reverberation [17,31]. Indoor spaces have much more complex acoustical environments than outdoor spaces and any kind of indoor space (metro stations, high schools, restaurants, opera-concert halls, hospitals, etc.)…”
Section: The Soundscape Conceptmentioning
confidence: 99%
“…These requirements become more varied and complex in indoor spaces because of factors such as the geometry of the indoor environment, the materials used, and/or the activity occurring or the function of the space. 17–25,44 Correspondingly, auditory perceptions will differ. This statement is the most important aspect of the study’s hypothesis.…”
Section: Resultsmentioning
confidence: 99%
“…Every space has a unique sound environment; soundscapes, the underlying sound sources and the acoustical requirements differ in each space. 17–21 The requirements for acoustical comfort regarding the indoor spaces are varied and more complex; correspondingly, auditory perception differs due to factors such as building geometry, finishing materials, activities, and reverberation. 7,22 Indoor spaces have much more complex acoustical environments than outdoor spaces; for example, metro stations, high schools, restaurants, and hospitals all have different soundscapes.…”
Section: Introductionmentioning
confidence: 99%
“…Kwon and Siebein [12] carried out a chronological study on the acoustical indices in music performance halls [1,3]. There have been a number of reports on the renovation of existing auditoriums [13][14][15]. However, there is little research on multi-purpose auditoria used for music, speech, and sports.…”
Section: Literature Reviewmentioning
confidence: 99%