2010
DOI: 10.1086/652003
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“That sash will hang you”: Political Clothing and Adornment in England, 1780–1840

Abstract: On 25 November 1830, John Benett, Tory MP for Wiltshire, met a group of "Swing" rioters approaching his property near Salisbury. Though their threat to break his agricultural machinery obviously disturbed him, Benett was also struck by their appearance. The leaders of the group were wearing what he described as "partycoloured sashes." Benett warned one leader: "I am sorry to see you with that sash on […] Young man, that sash will hang you." The rioters blankly refused to take off their adornments and continued… Show more

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Cited by 31 publications
(13 citation statements)
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“…AWCOCK Many of these advantages and disadvantages stem from the materiality of protest stickers. In recent years, there has been growing awareness of the use of material objects by activists and protesters to convey political messages (see, e.g., Brown & Yaffe, 2018;Crossan et al, 2016;Navickas, 2010). Anna Feigenbaum (2014) has called for increased attention to be paid to the role of material objects in activist communication.…”
Section: What Are Protest Stickers?mentioning
confidence: 99%
“…AWCOCK Many of these advantages and disadvantages stem from the materiality of protest stickers. In recent years, there has been growing awareness of the use of material objects by activists and protesters to convey political messages (see, e.g., Brown & Yaffe, 2018;Crossan et al, 2016;Navickas, 2010). Anna Feigenbaum (2014) has called for increased attention to be paid to the role of material objects in activist communication.…”
Section: What Are Protest Stickers?mentioning
confidence: 99%
“…As Wendy Parkins, Elizabeth Wilson and others have claimed, the wearing of symbolic items allows individuals to perform gender and politics through the body in the generation of a 'body politic'. 68 As political adornment, dance costume articulated Irishwomen's self-identification within a broader political collective. This intersection, however, created a double bind, particularly as it related to Irishwomen's access to full citizenship.…”
Section: Body Politics and The Development Of Irish Dancing Costumementioning
confidence: 99%
“…57 This use of materials in creative protest would not have been out of place in earlier 'premodern' movements, a clear example of the 'mutable semiotics of clothing' that has recently been underlined as central to Hanoverian politics. 58 The common material culture of everyday life was abundant in the popular politics at the beginning of this period and furnished an emblematic language of wide applicability and ready comprehension. 59 For example the paraphernalia of taxed items was common, as at Rutherglen, where 'suspended from a stick across the pole of this flag, were inverted gill and half-mutchkin stoups, tea-pots, torn spleuchans, and broken tobacco pipes.'…”
Section: IIImentioning
confidence: 99%