2014
DOI: 10.1016/j.heares.2013.09.017
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Thalamocortical mechanisms for integrating musical tone and rhythm

Abstract: Studies over several decades have identified many of the neuronal substrates of music perception by pursuing pitch and rhythm perception separately. Here, we address the question of how these mechanisms interact, starting with the observation that the peripheral pathways of the so-called “Core” and “Matrix” thalamocortical system provide the anatomical bases for tone and rhythm channels. We then examine the hypothesis that these specialized inputs integrate tonal content within rhythm context in auditory corte… Show more

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Cited by 28 publications
(32 citation statements)
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References 107 publications
(131 reference statements)
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“…Therefore, we separately analyzed the activation of the supragranular (layers I–III) and infragranular layers (layers IV–VI). The previous studies showed a hierarchical activation pattern in many cortical areas, including A1 (Musacchia et al 2014 ), which starts in the input layer IV, propagates to the supragranular layer, and then spreads to the infragranular layers. After information processing, the latter represents the output station for cortical activity to the thalamus (Barbour and Callaway 2008 ; Broicher et al 2010 ) and we will refer mainly to the infragranular layer in the following.…”
Section: Resultsmentioning
confidence: 94%
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“…Therefore, we separately analyzed the activation of the supragranular (layers I–III) and infragranular layers (layers IV–VI). The previous studies showed a hierarchical activation pattern in many cortical areas, including A1 (Musacchia et al 2014 ), which starts in the input layer IV, propagates to the supragranular layer, and then spreads to the infragranular layers. After information processing, the latter represents the output station for cortical activity to the thalamus (Barbour and Callaway 2008 ; Broicher et al 2010 ) and we will refer mainly to the infragranular layer in the following.…”
Section: Resultsmentioning
confidence: 94%
“…2 a, 4 a). The A1 is a layered structure with tonotopic organization in which each of the six layers has specific input/output and sensory processing functions and neighboring tone frequencies are represented in adjacent cortical columns (Hackett et al 2011 ; Musacchia et al 2014 ). Therefore, we separately analyzed the activation of the supragranular (layers I–III) and infragranular layers (layers IV–VI).…”
Section: Resultsmentioning
confidence: 99%
“…How the auditory cortex communicates with other components of the distributed activated network during the listening task (Figure 3A ) should be investigated in more detail in future studies using connectivity analyses. For example, it will be interesting to explore whether connectivity between the thalamus and auditory cortical areas depends on the rhythmicity of the input ( Musacchia et al, 2014 ).…”
Section: Discussionmentioning
confidence: 99%
“…Thalamocortical oscillations exhibit 1∕ f frequency spectra with peaks in specific frequency bands, including delta (~ 1–4 Hz), theta (~ 4–8 Hz), beta (~ 13–30 Hz), and gamma (~ 30–70 Hz) (Buzsáki, 2006 ). The frequency range of musical pulse (London, 2004 ) corresponds nicely with the delta band, while faster metrical frequencies fall within the theta band, and slower metrical frequencies occupy the sub-delta range (Musacchia et al, 2014 , see Figure 1 ). Jones originally hypothesized that endogenous perceptual rhythms synchronize with temporally structured sequences, generating expectancies for future events (Jones, 1976 ).…”
Section: Neural Resonance To Musical Rhythmsmentioning
confidence: 94%