2024
DOI: 10.1057/s41276-024-00462-6
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“Th’oppressor’s wrong,” or, what’s Hamlet to the Borderlands?

Kathryn Vomero Santos

Abstract: This article offers a critical analysis of two poetic appropriations of Hamlet’s “To be or not to be” soliloquy: “El Hamlet Fronterizo” by Guillermo Gómez-Peña and “To be a Pocha or not to be” by Iris De Anda. Both poets use the languages, geographies, and ontological concerns of the US–Mexico Borderlands to reimagine the Danish prince’s famously introspective speech as a performance text that reflects their lived experiences and consciousnesses as border subjects. For Gómez-Peña and De Anda, the figure of Ham… Show more

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