Abstract:Scott Fitzgerald’s perspective on the film industry is very complicated. His interest in the visual discourse of the cinema can be regarded as an aesthetic yearning for a meaningful and deliberate discourse that would highlight the importance of visual and spatial descriptions over linguistic ones. This research paper aims to provide some new insight into Tender Is the Night (1934). The argument of this article is based on the fact that Fitzgerald’s familiarity with the cinematic sphere did not guarantee him a… Show more
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