Abstract:Digital images are produced by humans and autonomous devices everywhere and, increasingly, ‘everywhen’. Legacy image data, like Mary Shelley’s infamous monster, can be stitched together as either smooth and eloquent, or jagged and abominable, supplementary combinations from various times to create a thought-provoking and/or repulsive Frankensteinian assemblage composed, like most archaeological assemblages, of messy temporal components combining, as Gavin Lucas sums it up, as “a mixture of things from differen… Show more
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