2011
DOI: 10.3998/jar.0521004.0067.305
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TELLING STORIES: Making History, Place, and Identity on the Little Bighorn

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Cited by 3 publications
(1 citation statement)
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“…Individual rangers perform as if they are starring in a one-man scripted show retelling what happened on that fateful day largely from the point of view of the U.S. Cavalry but with some mention of what Native leaders allegedly said and did. Two miles away, the privately run U.S. Cavalry School also performs a scripted reenactment featuring staff, a few dozen white 7th Calvary re-enactors, and Native Crow riders—mostly teenagers and young men—playing the parts of their historic enemies while dressed up like it’s 1876 in wigs and war paint riding their horses bareback as they count coup on the men in “Custer’s Last Ride” who have been practicing all week to play the role of soldiers from the doomed regiment (Buchholtz, 2011).…”
mentioning
confidence: 99%
“…Individual rangers perform as if they are starring in a one-man scripted show retelling what happened on that fateful day largely from the point of view of the U.S. Cavalry but with some mention of what Native leaders allegedly said and did. Two miles away, the privately run U.S. Cavalry School also performs a scripted reenactment featuring staff, a few dozen white 7th Calvary re-enactors, and Native Crow riders—mostly teenagers and young men—playing the parts of their historic enemies while dressed up like it’s 1876 in wigs and war paint riding their horses bareback as they count coup on the men in “Custer’s Last Ride” who have been practicing all week to play the role of soldiers from the doomed regiment (Buchholtz, 2011).…”
mentioning
confidence: 99%