2020
DOI: 10.1177/0163443719899804
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Television’s role in Indian new screen ecology

Abstract: In this article, I discuss the various issues that have prompted select creators such as writers, directors, actors, producers and casting agents to focus their creative energies on Internet-based content. The article’s main findings illustrate that because a growing segment of Indian content, new media practitioners are disillusioned by the programming and industrial practices of television, they increasingly embrace digital delivery platforms as the preferred outlets for their creative expressions. By drawin… Show more

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Cited by 6 publications
(3 citation statements)
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“…While our examples presented in this paper draw on European politics, the methods outlined could easily extend to other regions as well, such as (but not limited to) Latin America (Chile's El Reemplazante) (Cabello 2021), South Asia (India's Powder) (Mehta 2020), East Asia (South Korea's City Hall) (Jo and Park 2012), and Oceania (Australia's The Hollowmen) (Weinert and Tranter 2020). Further research can develop a similar, comprehensive resource for other regions, similar to Table 1.…”
Section: Discussionmentioning
confidence: 99%
“…While our examples presented in this paper draw on European politics, the methods outlined could easily extend to other regions as well, such as (but not limited to) Latin America (Chile's El Reemplazante) (Cabello 2021), South Asia (India's Powder) (Mehta 2020), East Asia (South Korea's City Hall) (Jo and Park 2012), and Oceania (Australia's The Hollowmen) (Weinert and Tranter 2020). Further research can develop a similar, comprehensive resource for other regions, similar to Table 1.…”
Section: Discussionmentioning
confidence: 99%
“…To date, Bharadwaj is acknowledged and remains relevant as an auteur in New Bollywood for the successful casting of Langda Tyagi that ‘awakened the actor in Saif Ali Khan’ (Sharma, 2020). Khan’s casting marketed Bharadwaj’s proclivity towards framing region-centric localisation of India that is currently a common content-creator approach in platform production while catering to urban and Indian middle-class consumers (Mehta, 2020). Thus, making it a medium to showcase the incorporation of digital platform-led industrial, managerial and spatial logics (Mohan and Punathambekar, 2018) into filmmaking practice.…”
Section: Scripting An ‘In-between’ Grammarmentioning
confidence: 99%
“…There were no discussions or debate programmes on any national broadcaster exploring the merits of the ban and the coverage was limited to a few digital news platforms. However, during the second ban, there was a paradigm shift in the nature of mediacoverage which otherwise lacks comprehsive disucssions (Mehta, 2020). Before exploring the nature of the media narratives, it is worth briefly explaining two concepts that are relevant for providing a fuller context of the ban.…”
mentioning
confidence: 99%