2020
DOI: 10.7456/11004100/013
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Technology Versus Individual: An Analysis on Interactive Film Black Mirror: Bandersnatch

Abstract: One of the basic themes of technology-based dystopian narratives appears as the problem of selfdetermination. In these narratives that proceed through concepts such as surveillance and control; there are descriptions of a dark future in which the individual becomes an object. Netflix production Black Mirror: Bandersnatch (David Slade, 2018) examines the loss of individuality and the loss of selfdetermination. The film, as a technology-based narrative, connects these concepts to the impact of technology. In the… Show more

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“…From an 'anti-utopian' perspective, the series expresses the impact and concern of the constant development of science and technology. Black Mirror has found a space in popular culture over the last decade to become a moniker representing the negative impact of digital technologies on human beings and society (AKŞİT and NAZLI, 2020). Netflix released its first interactive film, Bandersnatch, as part of the Black Mirror series around Christmas in 2018.…”
Section: Introductionmentioning
confidence: 99%
See 1 more Smart Citation
“…From an 'anti-utopian' perspective, the series expresses the impact and concern of the constant development of science and technology. Black Mirror has found a space in popular culture over the last decade to become a moniker representing the negative impact of digital technologies on human beings and society (AKŞİT and NAZLI, 2020). Netflix released its first interactive film, Bandersnatch, as part of the Black Mirror series around Christmas in 2018.…”
Section: Introductionmentioning
confidence: 99%
“…Bandersnatch is a stand-alone film presented as a video tale mixed with elements of the interactive video game and TV series (Nee, 2021). Thus, the audience can control the protagonist's actions and choices through the remote control or touch the screen (AKŞİT and NAZLI, 2020). Black Mirror's Bandersnatch was marketed as the first interactive narrative aimed at a mature audience on the streaming platform Netflix (Rezk and Haahr, 2020: 183).…”
Section: Introductionmentioning
confidence: 99%