“…13 It is possible that, in both cases, the feminine name hides male authorship and the "commercial" dynamics of a competence that is more desirable if attributed to female knowledge, better if of very high social status: it is a mechanism that, in waves, returns in the history of medicine until more recent times, as well testified, for example, by the famous case of the works attributed to Trotula de Ruggiero. 14,15 In any case, the "female" tradition transmitted under the names of Metrodora, Cleopatra, Pelagia, Elephantis, Lais, Salpe, Sotira, Spendousa, Aquilia, Antiochia, Originea, Samithra, Xanite is received by the Byzantine encyclopedists more freely than the classical tradition: the use of these "alternative" sources seems to fill the void left by Galen in the treatment of women's disorders and responds to the socially growing needs for health and beauty in a changing world (Buzzi-Calà).…”