1989
DOI: 10.1016/0022-3913(89)90316-8
|View full text |Cite
|
Sign up to set email alerts
|

Technique for superimposing a color slide onto a facial cast to sculpt a facial prosthesis

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1

Citation Types

0
3
0

Year Published

1993
1993
2020
2020

Publication Types

Select...
7

Relationship

0
7

Authors

Journals

citations
Cited by 7 publications
(3 citation statements)
references
References 1 publication
0
3
0
Order By: Relevance
“…In 1980, Nusinov and Gay described a method for obtaining the reverse image of an ear by using parallel lines transferred to casts, a vertical camera capable of reproducing three dimensional objects, and tracing paper [6]. Shimodaira et al proposed superimposing a color slide onto a facial cast to sculpt a facial prosthesis [7]. Both methods are relatively complex and require special and costly equipment.…”
Section: Discussionmentioning
confidence: 99%
“…In 1980, Nusinov and Gay described a method for obtaining the reverse image of an ear by using parallel lines transferred to casts, a vertical camera capable of reproducing three dimensional objects, and tracing paper [6]. Shimodaira et al proposed superimposing a color slide onto a facial cast to sculpt a facial prosthesis [7]. Both methods are relatively complex and require special and costly equipment.…”
Section: Discussionmentioning
confidence: 99%
“…Several other impression techniques have been used, such as (1) using the donor technique [3], in which the patient acts as the donor to make an ear impression; (2) dividing the cast of the remaining ear into small squares to facilitate sculpting the missing ear [3,17]; (3) using image-editing software (such as Adobe Photoshop) to assist in sculpting the prosthesis [13,17]; (4) using a color slide [17][18]; (5) obtaining a mirror image of the cast of the patient's remaining ear, using transparent sheets and a copy machine to aid in the sculpting process [17,19]; and (6) sectioning the wax pattern of the opposite ear, using a wax saw, into 1 mm-thick slices, then reversing each section and placing it on top of the previous one to create a mirror image of the original pattern [13,17].…”
Section: Discussionmentioning
confidence: 99%
“…There are several methods in the literature introducing the making a prosthetic ear. [3][4][5][6] A conventional sculpting procedure in the fabrication of a maxillofacial prosthesis includes conventional impression stages, time-consuming laboratory procedures, and several try-in procedures. 2 Therefore, shortening the laboratory process is challenging for a prosthodontist.…”
Section: Introductionmentioning
confidence: 99%