Abstract:Reviewed by Dorothy PayneWith his opening assertion that "defining music theory is almost impossible" (p. 3), Michael Rogers sets the stage for his important and in the unabashedly subjective eyes of this reviewer highly successful attempt to synthesize the host of traditions, techniques, and trials associated with the teaching of music theory. Those who have felt at home in the undergraduate theory classroom, but who have found it difficult to distill their experience into a meaningful pedagogy course, will f… Show more
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