“Taste is not to conform to the art, but the art to the taste”: aesthetic instrumentalism and the British body politic in the neoclassical age

Axelsson, Karl

doi:10.3402/jac.v5i0.21096

Cited by 2 publications

(2 citation statements)

References 22 publications

(13 reference statements)

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…Researchers must enhance the arts-based sustainability approach, which is theoretically underexplored (Heras et al ., 2021). Painters must be encouraged to produce more portraits, especially those that highlight social issues, according to the instrumentalism and emotionalism approaches that sensitize society to the importance of sustainability and lead it to take actions in its favor (Axelsson, 2013). Educators must integrate painting art into the training curriculum of students because the arts improve the individual's cognitive capacity and logical reasoning (Braund and Reiss, 2019).…”

Section: Discussionmentioning

confidence: 99%

Painting art and sustainability: relationship from composite indices and a neural network

Boutchich

2023

IJSE

View full text Add to dashboard Cite

PurposeThis work aims to establish the relationship between painting art and sustainability, which allows for highlighting implications likely to improve sustainability for humanity's welfare.Design/methodology/approachTo achieve this objective, painting art is measured by a composite index aggregating the quantity and quality represented by the market value. As for sustainable development, it is represented by a composite index comprising three variables: the climate change performance index (ecological dimension), the wage index reflecting distributive justice (social dimension) and the gross domestic product (economic dimension). The composite indices were determined through adjusted data envelopment analysis. In addition, two other methods are used in this work: correlation analysis and a neural network method. These methods are applied to data from 2007 to 2021 across the world.FindingsThe correlation method highlighted a perfect positive correlation between painting art and sustainability. As for the neural network method, it revealed that the quality of painting has the greatest impact on sustainability. The neural network method also showed that the most positively impacted variable of sustainability by painting art is the social variable, with a pseudo-probability of 0.90.Originality/valueThe relationship between painting art and sustainability is underexplored, in particular in terms of statistical analysis. Therefore, this research intends to fill this gap. Moreover, analysis of the relationship between both using composite indices computed via an original method (adjusted data envelopment analysis) and a neural network method is nonexistent, which constitutes the novelty of this work.Peer reviewThe peer review history for this article is available at: https://publons.com/publon/10.1108/IJSE-01-2023-0006

show abstract

Section: Discussionmentioning

confidence: 99%

Painting art and sustainability: relationship from composite indices and a neural network

Boutchich

2023

IJSE

View full text Add to dashboard Cite

show abstract

“…Seni mampu merespon alam dan sosial (Marshal, 2014) melalui dokumentasi perubahan iklim alam dalam karya seni (Kothe, 2015) serta memfasilitasi interaksi sosial (Leake, 2012). Kedua hal yang berbeda ini menimbulkan respon sosial dan mempengaruhi rasa dari apa yang ditangkap secara inderawi dan melebur dalam pemikiran (Axelsson, 2013). Seni kontemporer menawarkan kemungkinan-kemungkinan baru untuk mengartikulasikan konteks nilai sosial (Jackson, 2013).…”

Section: Keterangan Skemaunclassified

Klasifikasi Prioritas Ketertarikan Perilaku Pengunjung Pameran Terhadap Karya Seni Rupa Kontemporer

Waryanti¹

2017

INVENSI

View full text Add to dashboard Cite

Many elements are presented to visitors during an exhibition of contemporary art. These elements include the overaching concept of the exhibit (Ko), issues raised in the exhibition (Is), the name of the artist whose popularity attracts patrons (Na), and visual forms of the art itself (Vi). Using these four elements I compiled questions and interviewed patrons with various backgrounds in the arts. The goal was to find out these patron’s interest priorities; in other words, which aspects of the exhibit were of most interest to them as an observer. Previous literature on visitor behavior and social response at contemporary art exhibitions has been used as a base for this research. This study aims to highlight the different interest priorities as a visitor behaviour and audiens reception due to exhibition. I My respondences in this research is the exhibition visitors who had a background in art, but not necessarily in the discipline being exhibited. The results of this study will serve to determine the interest of art exhibition patrons, so that artists and curators can be made more aware of the gaps that exist between exhibit creation and viewer interest, and how those gaps can be better closed.

show abstract

“Taste is not to conform to the art, but the art to the taste”: aesthetic instrumentalism and the British body politic in the neoclassical age

Cited by 2 publications

References 22 publications

Painting art and sustainability: relationship from composite indices and a neural network

Painting art and sustainability: relationship from composite indices and a neural network

Klasifikasi Prioritas Ketertarikan Perilaku Pengunjung Pameran Terhadap Karya Seni Rupa Kontemporer

Contact Info

Product

Resources

About