Tæbring, Nw Denmark, Ad 600-1100

Mikkelsen, Poul; Moltsen, Annine S.A.; Sindbæk, Søren M.

doi:10.1111/j.1600-0390.2008.00110.x

Cited by 18 publications

(1 citation statement)

References 8 publications

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“…Havde han vaeret bevidst om det, ville det formodentlig have afholdt ham fra at give tilslutning netop fordi argumentationen er vildledende«. 32 Med denne formulering understreger Mikkelsen kravet om modtagerens autonomi endnu engang, men samtidig repraesenterer definitionen et problem. At den uredelige kommunikation på samme tid fordrer vildledning og uigennemskuelighed er problematisk, fordi det nødvendigvis må vaere modtagerens kompetencer, der afgør gennemskueligheden.…”

Section: Den Nytteløse Uredelighedunclassified

Dokumentarfilmens etik: Mellem Den Hemmelige Krig med det hemmelige plot og Michael Moores satiriske dokumentarmassakre

Ebberfeld¹

2009

KoK

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Ethics of Documentary Films: In Between the Secret Plot of Den Hemmelige Krig and Satirical Documentary- massacre by Michael Moore:In this article I focus on ethics, and the way it is usually interpreted in the context of documentary television – that is normative and aimed at creators. This way of thinking is illustrated in my setting out of Jan Foght Mikkelsen’s contribution to ethics of mediation, and in that respect I argue that the request for ethical sensitivity among creators of mass-mediated communication must be complemented with an offer of a recipient-oriented vocabulary. Audiovisual mass communication represents an asymmetric display of force between creator and recipient, and Mikkelsen’s ethics of mediation claims its purpose to be a protection of autonomy among media consumers. Thus my suggestion is to supplement the ethics of mediation by addressing the audience of the communication in an attempt to rectify the imbalance of forces.In my analysis of Christoffer Guldbrandsen´s documentary Den Hemmelige Krig I focus on how the narrative seeks to persuade its audience through narrative strategies and cinematic devices, and I thereby abstain from any kind of substantial evaluation of communication. Based on analytical impacts and some interpretations of this passage, I point out the importance of the nuanced attention to small details in classical authoritative documentaries.The main conclusion is that we need to develop a new vocabulary, which can provide media consumers with an approach to audiovisual documentaries making them aware of communicative aspects.

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Section: Den Nytteløse Uredelighedunclassified

Dokumentarfilmens etik: Mellem Den Hemmelige Krig med det hemmelige plot og Michael Moores satiriske dokumentarmassakre

Ebberfeld¹

2009

KoK

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Architecture, Society, and Ritual in Viking Age Scandinavia

Eriksen

2019

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Most of us take doors for granted. We pass through doorways tens of times each day, without reflection. The door is, however, a powerful feature of human mentality and life-practice. It controls access, provides a sense of security and privacy, and marks the boundary between differentiated spaces. The doorway is also the architectural element allowing passage from one space to the next. Crossing the threshold means abandoning one space and entering another, a bodily practice recognized both in ritual and language as a transition between social roles or situations. Doors and thresholds are thus closely linked with rites de passage, the word 'liminality' itself stemming from Latin limen, 'threshold'. This does not imply that each and every crossing of a threshold constitutes a liminal ritual, but rather that passing through a doorway is an embodied, everyday experience prompting numerous social and metaphorical implications. A volume on thresholds in fiction asks why the threshold exercises such a riveting grasp on human imagination; why it is such a resonant space (Mukherji 2011:xvii). The characterization of the threshold as a resonant space precisely captures its affect. The threshold is evocative, a locus of heightened anticipation.The seeds for this book were sown nearly a decade ago when, during data collection for my master's thesis, I noticed a strange concurrence between two written sources related to the Viking Age. One text, ibn Fadla ¯n's Risãla, was

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Preface

2019

Architecture, Society, and Ritual in Viking Age Scandinavia

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Tæbring, Nw Denmark, Ad 600-1100

Cited by 18 publications

References 8 publications

Dokumentarfilmens etik: Mellem Den Hemmelige Krig med det hemmelige plot og Michael Moores satiriske dokumentarmassakre

Dokumentarfilmens etik: Mellem Den Hemmelige Krig med det hemmelige plot og Michael Moores satiriske dokumentarmassakre

Architecture, Society, and Ritual in Viking Age Scandinavia

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