2015
DOI: 10.31751/803
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Synchron und diachron. Zum Zusammenhang zwischen Kontrapunkt und Prozessualität in romantischer Formensprache

Abstract: Der Beitrag untersucht die für romantische Formensprache etablierte Theorie der ›organischen Form‹ (›organic metaphor‹). ›Organische Form‹ wird implizit wie explizit mit metaphorischen Konnotationen verwendet, die in der Anwendung auf die Werkanalyse Voreinstellungen mit sich bringen. Damit einher geht eine unscharfe Überblendung von Produktions-und Rezeptionsästhetik sowie eine seit den Anfängen klassisch-romantischer Formenlehre fast selbstverständliche Abkehr des Interesses von kontrapunktischen Techniken, … Show more

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“…"9 No original: "the premise that music evokes the organic most vividly not through recursive processes in individual systems but through the as-if intentional integration of such processes in multiple systems. "10 No original: "while Bach still was living a new musical style came into being out of which there later grew the style of the Viennese Classicists, the style of homophonic-melodic composition, or, as I call it, the style of Developing Variation. "…”
mentioning
confidence: 99%
“…"9 No original: "the premise that music evokes the organic most vividly not through recursive processes in individual systems but through the as-if intentional integration of such processes in multiple systems. "10 No original: "while Bach still was living a new musical style came into being out of which there later grew the style of the Viennese Classicists, the style of homophonic-melodic composition, or, as I call it, the style of Developing Variation. "…”
mentioning
confidence: 99%