Abstract:This article reflects on an experiment in drawing, titled Surrogate Drawing, in which an assemblage of people, materials and artefacts engaged in a live, improvisational process of co-production. The group was interested in how empathy might be cultivated through architectural drawing.
The article develops an argument across three main parts. The first part offers a brief overview of the drawing experiment, situated relative to some key assumptions and conventions of architectural drawing, via the work of Robi… Show more
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