This is the proper place for explaining the paradox which must have struck everyone in our exposition of the form of inner sense: namely how this sense presents even ourselves to consciousness, not as we are in ourselves, but only as we appear to ourselves. For, we perceive ourselves only as we are internally affected, which seems to be contradictory, in that we should thus have to be in a passive relation to ourselves; hence, in systems of psychology, people prefer to identify inner sense with the faculty of apperception (which we have been distinguishing carefully). Immanuel Kant [B152-3], Transcendental Deduction, Critique of Pure Reason. Knowing is not simply a material act, since the object that is known always conceals something beyond the empirical datum. Pope Benedikt XVI, Encyclical Caritas in Veritate, Sect. 77.Abstract Impressions, energy radiated by phenomena in the momentary environmental scene, enter sensory neurons, creating in afferent nerves a data stream. Following Kant, by our inner sense the mind perceives its own thoughts as it ties together sense data into an internalized scene. The mind, residing in the brain, logically a Language Machine, processes and stores items as coded grammatical entities. Kantian synthetic unity in the linguistic brain is able to deliver our experience of the scene as we appear to see it. Uniquely, the brain records its own history, synthesizing a Movie-in-the-Brain, called the Noumenal Cosmos. Attempting thereby to represent the actual Universe, this makes for a sovereign brain that governs itself. The brain is domicile of an Ego, with its selfhood at stake at all times. Yet, it can know itself only by its actions, in which it appears as an actor in its own movie. Phenomena enter garbled, as confused apparitions, and must be put in good form using top-down feedback control by Ego, so that each movie frame makes rational sense within the overall context of the Noumenal Cosmos. A stack of frames is processed typically in 40 Hz rhythm with 300 ms process time each, for about 12 in the stack at any time. Successive neural centers are processing the stack in the brain assembly line, based on data from increasingly global receptive fields. Ego stitches together the movie frames, but only the top frame is in consciousness for 25 ms. The top frame contains the whole scene where the Ego makes an appearance as the actor that imposes Kantian synthetic unity on the scene, merely an assembly of grammatical