SymbioSinging: Robotically transposing singing experience across singing and non-singing bodies

Cotton, Kelsey; Afsar, Ozgun Kilic; Luft, Yoav; Syal, Priyanka; Abdesslem, Fehmi Ben

doi:10.1145/3450741.3466718

Cited by 6 publications

(2 citation statements)

References 16 publications

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“…Creating custom collars allows for individual differences, however subtle, to be taken into account and for the best possible fit to be achieved. Also, a prominent theme in vocal wearables, is the exploration of the connection of the singer to their body and their body perception [5,6,67,82]. Therefore, achieving a "one-size-fits-all" collar might not be desireable, in fact it might negatively impact this theme, in masking the breadth of human body-diversity [71].…”

Section: Soft Knits For Different Bodiesmentioning

confidence: 99%

Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances

Reed

Skach

Strohmeier

et al. 2022

Augmented Humans 2022

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Section: Soft Knits For Different Bodiesmentioning

confidence: 99%

Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances

Reed

Skach

Strohmeier

et al. 2022

Augmented Humans 2022

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“…We have continued to explore alternative solutions, such as separating pressure measurement and actuation by using additional sensors and pillow shapes, such as stretch sensors and machine learning algorithms to measure movement and predict breathing gestures[51] or using doughnut shaped pillow with a non-actuated centre carrying a sensor.…”

mentioning

confidence: 99%

Touching Our Breathing through Shape-Change: Monster, Organic Other, or Twisted Mirror

Karpashevich

Sanches

Garrett

et al. 2022

ACM Trans. Comput.-Hum. Interact.

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We report on a soma design process, where we designed a novel shape-changing garment—the Soma Corset. The corset integrates sensing and actuation around the torso in tight interaction loops. The design process revealed how boundaries between the garment and the wearer can become blurred, leading to three flavours of cyborg relations. First, through the lens of the monster, we articulate how the wearer can adopt or reject the garment, resulting in either harmonious or disconcerting experiences of touch. Second, it can be experienced as an organic “other”-with its own agency-resulting in uncanny experiences of touch. Through mirroring the wearer’s breathing, the garment can also be experienced as a twisted version of one’s own body. We suggest that a gradual sensitisation of designers-through soma design and reflection on the emerging human-technology relations-may serve as a pathway for uncovering and articulating novel, machine-like, digital touch experiences.

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Quantum Creativity and Cognition in Humans and Robots

Mannone

Seidita

2022

J. AI. Consci.

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In this research, we present a categorical framework to connect research on creativity and cognition for humans and robots, in light of the quantum paradigm. These fields and their relationships suggest a wider vision: modeling human creativity/cognition through quantum computing, and creating robots that can help us learn more about the humans themselves. We represent the human–robot comparison through functors (function generalization). Fundamental elements to understand human creativity are motivation and feedback as aesthetic pleasure. Is it possible to model it? Can the quantum paradigm help us in such an endeavor? We envisage the concept of emergence and quantum computing as decisive keys for creativity. Investigation of robotic models, including swarms of robots, might help shed new light on human creative interactions.

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SymbioSinging: Robotically transposing singing experience across singing and non-singing bodies

Cited by 6 publications

References 16 publications

Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances

Singing Knit: Soft Knit Biosensing for Augmenting Vocal Performances

Touching Our Breathing through Shape-Change: Monster, Organic Other, or Twisted Mirror

Quantum Creativity and Cognition in Humans and Robots

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