2018
DOI: 10.1108/jchmsd-06-2017-0044
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Sustainability of indigenous folk tales, music and cultural heritage through innovation

Abstract: Purpose The aim of producing Bah Luj Production, four folk tales books accompanied by a compact disc of its narration, dialogs and music is to revitalize the folk tales, music and cultural heritage of the indigenous Semai by condensing them into an innovative resource package, tailored to appeal to the current generation’s consumer interests and lifestyles. The targeted audiences for the product are Malaysians, in particular the Semai community, as well as other local and international consumers. The purpose o… Show more

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Cited by 12 publications
(8 citation statements)
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“…ere are some studies on ethnic music culture by scholars. Chan's research considered the implementation of ethnic music education in the local area through a practiceoriented approach, mainly by offering ethnic music lessons in the classroom and playing ethnic music in public places to promote the sustainable development of local traditional culture [1]. e findings of Savage et al suggested that even creative art forms like folk music are subject to evolutionary constraints similar to genetics, language, and other cultural domains.…”
Section: Introductionmentioning
confidence: 99%
“…ere are some studies on ethnic music culture by scholars. Chan's research considered the implementation of ethnic music education in the local area through a practiceoriented approach, mainly by offering ethnic music lessons in the classroom and playing ethnic music in public places to promote the sustainable development of local traditional culture [1]. e findings of Savage et al suggested that even creative art forms like folk music are subject to evolutionary constraints similar to genetics, language, and other cultural domains.…”
Section: Introductionmentioning
confidence: 99%
“…Secondly, the indigenous Generation Y who was born between the early 1980s to early 2000s known as millennials possess a minimal interest in cultural activities. They grew up in the digital technology era where the medium of learning and communication are mass media, computers, mobile phones, the internet, and social media (Chan, 2018). One of the reasons is their awareness of the need for education and the transformation of learning from ancestral lineages to institutionalized learning acquired from a teacher outside the Orang Asli cultural background.…”
Section: Literature Reviewmentioning
confidence: 99%
“…As a matter of fact, Culture is not a static notion (Chan, 2018, Creutzenberg, 2019). The livelihood and vitality of Chinese culture lie in its ability to learn, absorb, and mingle with other cultural influences.…”
Section: Literature Reviewmentioning
confidence: 99%
“…Other researchers put emphasis on searching for feasible ways to achieve or improve music sustainability including festivals and related heritage (Cheung, 2020; Maharjan & Barata, 2020); innovation, collaboration between selected culture bearers and researchers in the academia, indigeneity of cultural expressions and illustrations, and adaptability and relevance to current interests of indigenous people and consumers of indigenous culture (Chan, 2018); multicultural library (Civallero, 2007); social production system and commercial production system (Almond & DeJordy, 2012); and intellectual property rights protection (Qing & Zheng, 2018).…”
Section: Literature Reviewmentioning
confidence: 99%