2013
DOI: 10.4324/9780203811252
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Suspense

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Cited by 25 publications
(4 citation statements)
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“…Narratives consumed in the past can still be spoiled during a second viewing (cf. Carroll, 1996); indeed, previous experimental and survey studies show little difference in (the lack of) spoiler effects between familiar and unfamiliar viewers (Johnson & Rosenbaum, 2018).…”
Section: Methodsmentioning
confidence: 83%
See 1 more Smart Citation
“…Narratives consumed in the past can still be spoiled during a second viewing (cf. Carroll, 1996); indeed, previous experimental and survey studies show little difference in (the lack of) spoiler effects between familiar and unfamiliar viewers (Johnson & Rosenbaum, 2018).…”
Section: Methodsmentioning
confidence: 83%
“…Thus, it is not sufficient to point out that spoilers are beneficial for some people and harmful for others (Rosenbaum & Johnson, 2016), without further qualification. As Carroll (1996) observed with regard to re-watching of narratives, the paradox of suspense is that we can feel uncertain even when we know the ending of a storyline, and we can generally re-experience the thrill of a narrative’s twists and turns as if we had come to it with fresh eyes and ears.…”
Section: Discussionmentioning
confidence: 99%
“…The power of the immersive narrative engagement has been discussed extensively [79]. In addition, suspense is a frequently employed device for maintaining audience interest in stories [80]. Intriguing cliff hangers delivered at the right moment may make children curious about what happens next [81].…”
Section: Discussionmentioning
confidence: 99%
“…Suspense is the experience of not knowing, followed by resolution (Vorderer, Wulff, & Friedrichsen, 2013; Zillmann, 1980, 1996; Zillmann et al, 1975). In the context of drama and narrative, suspense is the feeling of uncertainty that results from plot points and narrative exposition (Zillmann, 1980).…”
Section: Literature Reviewmentioning
confidence: 99%