Abstract:A large body of work has been established in the field of pigment alteration covering several artistic eras [1][2][3]. While these studies are fundamental in understanding the physical and chemical properties pertaining to color as seen in paintings, they do not cover the important facet of molecular alteration due to degradation of the binding medium of these paintings. By using surface analytical techniques proven in the study of cultural heritage materials it is possible to elucidate the effects of degradat… Show more
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