Supergraphics as a project and artistic method in design of a modern city

Mikhailov, Sergey; Khafizov, Rafik; Mikhailova, Aleksandrina; Nadyrshine, Neil; Nadyrshine, Lilia

doi:10.1088/1757-899x/890/1/012003

Cited by 11 publications

(10 citation statements)

References 17 publications

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“…The stone nervures of the chapel were embellished with decorative tracery that made the stone look like the thinnest and finest lace. The interior of King's College Chapel at Cambridge (1446-1515, London) is another fine example of Gothic architecture [31]. The fan vaulting and walls filled with soaring stained-glass windows made stone structures look weightless.…”

Section: Resultsmentioning

confidence: 99%

The art of craft in the interior

et al. 2021

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In relation to the most characteristic architectural styles and movements, this paper discusses the issues of creation and development of artistic crafts that influence the formation and decoration of interior space. The evolution of crafts from a purely utilitarian activity to a form of decorative and applied art used to transform the interior environment by holistic and functional means is being considered through the lens of subjectspatial and functional-artistic organization.

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Section: Resultsmentioning

confidence: 99%

The art of craft in the interior

et al. 2021

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“…These colors appeared in place of the pronounced yellow and on the first floors of the building. As a result, the previously clearly marked and color-rich «town-planning parterre» now practically does not stand out in the spatial structure of the quarter [33].…”

Section: Modern Shabby Chic Parsingmentioning

confidence: 96%

“…The color scheme of the background panel buildings has changed, the contrast has softened, the intensity of the ocher-yellow color of the first floors has changed to a calmer whitened grayish-yellow. The quarter, having lost its color, has become less dominant in the context of the center of Berlin [33].…”

Section: From the Local Architectural And Artistic Style Of The Ensemble To The Territorial Brandingmentioning

confidence: 99%

Local artistic style formation in urban environment design

et al. 2021

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The article presents the corporate style as the leading project method in design in XXth century and its use in the design of the urban environment in the form of a local architectural and artistic style of the ensemble. It has become widespread in the organization of pedestrian streets in urban centers as a means of stylistic harmonization of diverse buildings and increasing the artistic expressiveness of the spatial ensemble. The striking example is the reconstruction of the Nikolayviertel in Berlin and his development into a territorial brand. At the same time, the graphic, artistic and stylistic accompaniment of the territorial brand became a logical continuation and development of its local architectural and artistic style, embedded in the architectural context, enhancing its imaginative component and the general artistic «positive». The modern post-industrial society brings with it changes that have affected the artistic and aesthetic qualities of the environment. Instead of an «open-air museum» with a clearly organized historical and architectural exposition, the visitor is offered a «settled» and a little shabby in the «shabby chic» style urban environment with picturesque green corners of cafes and restaurants.

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“…The graphic elements that make up the basis for the city identification style consist of image, typography, colour, illustration and pattern [18]. The first stage in the creation of visual elements is the formulation of an idea, which becomes the basis for creating a readable and understandable theme.…”

Section: Features Of the Identification Style In Urban Designmentioning

confidence: 99%

Temporary identification style of urban areas

et al. 2021

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This article introduces a new concept of ‘temporary identification style of urban areas’ into design terminology and thoroughly considers the features of the term ‘city identification style’ and related concepts. Such types of identification style as the temporary style of an event and the permanent style of a place are analysed. Both of the concepts are considered on the example of the city of Kazan, as in 2017 Kazan has applied for World Design Capital (WDC) status. Different identification style elements expressed in the means of visual communication within the urban environment were systematised, such as art objects, small architectural forms, banners, signboards, flags, and unique landscaping. The city’s temporary identification style creation and implementation principles were developed. Thereby, each concept corresponds to one of the principles formulated, as follows: urban space refers to the principle of actualisation and temporary thematic renewal of the external appearance of the urban environment; urban infrastructure – to the principle of harmonising the city’s subject-spatial environment; cultural life – to the principle of public involvement in creating the urban environment image; the sphere of urban governance and social partnership – to the principle of city management and development through design; informing and information promoting is the principle of implementing design into everyday life.

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Supergraphics as a project and artistic method in design of a modern city

Cited by 11 publications

References 17 publications

The art of craft in the interior

The art of craft in the interior

Local artistic style formation in urban environment design

Temporary identification style of urban areas

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