Abstract:The aim of this article is to provide a plausible conceptual model of a specific use of images described as substitution in recent art‐historical literature. I bring to light the largely implicit shared commitments of the art historians’ discussion of substitution, each working as they do in a different idiom, and I draw consequences from these commitments for the concept of substitution by image—the major being the distinction between nonportraying substitution and substitution by portrayal. I then develop an… Show more
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