Subcultures: The Basics

Haenfler, Ross

doi:10.4324/9781315888514

Cited by 59 publications

(51 citation statements)

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“…38 Rather, it functions as Ross Haenfler defines subcultures, as "a relatively diffuse social network having a shared identity, distinctive meanings around certain ideas, practices, and objects, and a sense of marginalization from or resistance to a perceived 'conventional' story." 39 Alateen works as a shared social network, one that brings together teens in similar circumstances. In both "Francesca, Baby" and "First Step," the young people attending the meeting are inconspicuously introduced over the course of the special, as a nod to the idea that children of alcoholics are everywhere, not physically marked per se, but existing all around nonetheless.…”

Section: "Firstmentioning

confidence: 99%

Premature Adulthood: Alcoholic Moms and Teenage Adults in the ABCAfterschool Specials

Keeler¹

2016

Quarterly Review of Film and Video

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Section: "Firstmentioning

confidence: 99%

Premature Adulthood: Alcoholic Moms and Teenage Adults in the ABCAfterschool Specials

Keeler¹

2016

Quarterly Review of Film and Video

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“…Similarly, metal‐ sounding music differs from true metal by reference to the role it plays in fans' lives. Insofar as rock music has become mainstream culture, metal's subcultural status requires its opposition to the rock mainstream (Haenfler, , 16–17), both in its expressed values and in its style. If not actively resistant to the values of the dominant culture, then at the very least, metal “foster[s] an oppositional consciousness” (17).…”

Section: Metal As Subculturementioning

confidence: 99%

“…In practice, references to musical genres and subgenres are normally anchored by investigations into subcultural identity. For example, Haenfler's (2012Haenfler's ( , 2013 subcultural research on metal stresses agreement in resistant values and beliefs, which allows for subcultural continuity across otherwise divergent groups.As Haenfler observes, a sociological interest in subcultures is largely an interest in how young people, negotiating their own enculturation, question and challenge "adult society" (2012, 2). A subculture "is a social subgroup distinguishable from mainstream culture by its non-normative values, beliefs, symbols, activities, and often, in the case of youth, styles and music" (3).…”

mentioning

confidence: 99%

Heavy metal: Genre? Style? Subculture?

Gracyk

2016

Philosophy Compass

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Although popular music is increasingly recognized as an important area of inquiry in philosophy of art, many organizing principles have been taken over from other fields without scrutiny. This article selects heavy metal as an example of the value of applying philosophy of criticism to discourse about popular music. Metal is now in its fifth decade, and its combination of longevity and diversity have made it an attractive topic in popular music studies. In accounts of metal by musicologists and social science researches, metal is almost always referred to as a genre of music, and the genre is said to unify diverse metal subcultures, which are associated with diverse styles of metal. An examination of the concepts of genre and subculture as they are typically understood in popular music studies generally, and in metal studies in particular, suggests that they do not function to delineate metal as a unitary category. However, contemporary philosophy of art provides several theoretical principles that provide criteria for identifying a unified genre. The relevant theories are historical definitions of art and Kendall Walton's account of style. Viewed in terms of these philosophical developments, metal should be seen as an evolving assemblage of related styles, only some of which are associated with fans who constitute a subculture. However, it is not a "category" in Walton's sense of that term. Video abstract (click to view)

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“…Je to proces, pomocí kterého míst-ní obyvatelé využívají, uzpůsobují, přijímají nebo odmítají translokální kulturu. I přesto, že tito lidé pociťují vlivy globál-ního tlaku, jsou schopni je filtrovat skrze své zkušenosti, potřeby a příležitosti (Haenfler 2014). Na rozdíl od "globalizace", která má tendenci nabízet celosvětově jednotný produkt, je totiž v rámci glokalizace soustředěna pozornost na sociokulturní rozdíly jednotlivých trhů.…”

Section: Expanze Ayahuaskyunclassified

Glokalizace ayahuasky v ČR a možnosti jejího terapeutického využití v místních podmínkách

Horák

Lukášová

Vosáhlová³

2015

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Glokalizace ayahuasky v ČR a možnosti jejího terapeutického využití v místních podmínkách Miroslav horák 1 -romana lukášová 2 -Šárka vosáhlová glocalization oF ayahuasca in thE czEch rEpublic and its possiblE thErapEutic applications in local conditionsABSTRAKT Z ayahuasky, klíčového prvku tradiční domorodé medicíny peruánské Amazonie, se stal globální fenomén. Sezení, během ně-hož je užívána tato psychoaktivní látka, lze v současné době absolvovat nejen v prostředí jihoamerického deštného pralesa, ale také v České republice. Vzhledem k tomu, že je v ČR ayahuasca pro svůj obsah N, N-dimethyltriptaminu dle nařízení vlády č. 463/2013 Sb., O seznamech návykových látek, nelegální, je tato substance užívána v rámci subkultury. S cílem poprvé zmapovat tento aktuální fenomén jsme provedli pilotní on-line anonymní dotazníkové šetření, ve kterém jsme se mimo jiné zaměřili i na možnosti terapeutického využití této psychoaktivní látky v místních podmínkách. Analýza dat získaných od 70 respondentů ukázala, že ayahuasca je užívána ve všech krajích ČR (nejvíce v Praze) a to zejm. z léčebných důvodů. Došlo tak k přizpůsobení tradičního užívání ayahuasky lokálním podmínkám a se vzrůstající informovaností lze předpokládat další rozšíření tohoto sociokulturního jevu. Při dodržení tradičních bezpečnostních zásad má ayahuasca terapeutický potenciál vhodný pro léčbu drogové závislosti a jiných civilizačních chorob. KEY WORDS ayahuasca; glocalization; therapyABSTRACT Ayahuasca, a key element of traditional indigenous medicine of the Peruvian Amazon, has become a global phenomenon. Sessions, during which this psychoactive substance is used, can be currently attended not only in the South American rainforest, but also in the Czech Republic. According to the Government Regulation No 463/2013 on schedules of addictive substances, ayahuasca in the Czech Republic for the presence of N, N-dimethyltryptamine is on the list of illegal drugs. However, the substance is used within the subculture. In order to investigate the current phenomenon, we conducted a pilot anonymous online survey. The investigation focused on the possibilities of therapeutic application of this substance under local conditions. The data provided by 70 respondents show that ayahuasca is used in all Czech regions (mostly in Prague), especially for the therapeutic purpose. The tradition of drinking ayahuasca has been adapted to local conditions, and it is expected to increase in future. If traditional security principles are followed, ayahuasca has therapeutic potential suitable for the treatment of drug addiction and other diseases of affluence.

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Subcultures: The Basics

Cited by 59 publications

References 0 publications

Premature Adulthood: Alcoholic Moms and Teenage Adults in the ABCAfterschool Specials

Premature Adulthood: Alcoholic Moms and Teenage Adults in the ABCAfterschool Specials

Heavy metal: Genre? Style? Subculture?

Glokalizace ayahuasky v ČR a možnosti jejího terapeutického využití v místních podmínkách

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