Studien zur Symbolik in der Musik der alten Niederlander

Sparks, Edgar H.; Elders, Willem

doi:10.2307/896146

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Motetas Cantus Mediocris1

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1973

2010

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“…Johannes Tinctoris (~14351511) viename þymiausiø to meto muzikos þodynø Terminorum musicae diffinitorium (Muzikos terminø þodynas, 1474 m.) 6 nusakydamas moteto ypatybes raðë: Motetus est cantus mediocris, cui verba cuiusvis materiae sed frequentius divinae supponuntur (Motetas yra vidurinis dainavimas pagal bet kokius, bet daþniausia dvasinio turinio, þodþius). Teiginys, kad motetas yra vidurinë cantus mediocris kompozicija reiðkë, kad jo klasifikacijos vieta yra savaip tarpinë, t. y. jis yra atsidûraes tarp Miðiø (cantus magnus, lot.…”

Section: Motetas Cantus Mediocrisunclassified

Motetas - cantus mediocris: liturginės ir kompozicinės paralelės

Daunoravičienė

2005

SJRS

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Section: Motetas Cantus Mediocrisunclassified

Motetas - cantus mediocris: liturginės ir kompozicinės paralelės

Daunoravičienė

2005

SJRS

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Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music

Stoessel

2010

Music and Letters

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BY JASON STOESSEL* IN AN ARTICLE WITTILY ENTITLED 'The End of the Ars Subtilior' David Fallows observes that music theorists continue to discuss, and composers occasionally use, notational and stylistic elements associated with the ars subtilior over the course of the fifteenth century. 1 While it is agreed that the years roughly between 1380 and 1415 witness the apogee of the so-called ars subtilior style on either side of the Alps, Fallows argues for the existence of continuities in musical and notational practices, offering up a foil to any attempt to periodize this style. For music historians, this situation is not surprising in the light of later musical parallels like, for example, the final flowering of the North

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Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries

Rifkin¹

1973

Journal of the American Musicological Society

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Studien zur Symbolik in der Musik der alten Niederlander

Cited by 3 publications

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Motetas - cantus mediocris: liturginės ir kompozicinės paralelės

Motetas - cantus mediocris: liturginės ir kompozicinės paralelės

Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music

Scribal Concordances for Some Renaissance Manuscripts in Florentine Libraries

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