2006
DOI: 10.1086/met.41.20320662
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Studi dal vivo e dal non più vivo: Carpaccio's Passion Paintings with Saint Job

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“…30 Brigit Blass-Simmen refers to only one of the stag's symbolic meanings, suggesting that the motif of the stag is to be understood as a symbol of the Eucharist. 31 She dedicates her paper to identifying the formal sources of the animals, such as drawings by Pisanello, Mantegna and others, and suggests that the work has a "patchwork" effect, since "the parakeet, the marten, the pair of rabbits, and the leopard-stag group seem glued onto the landscape". 32 Below, as will be exemplified by the detail of the lion, we can see that no "patchwork" exists in Carpaccio's Meditation, since, just as Borroughs maintained, every detail in this magnificent, mysterious painting, is well calculated.…”
Section: Provenance and Literature Reviewmentioning
confidence: 99%
“…30 Brigit Blass-Simmen refers to only one of the stag's symbolic meanings, suggesting that the motif of the stag is to be understood as a symbol of the Eucharist. 31 She dedicates her paper to identifying the formal sources of the animals, such as drawings by Pisanello, Mantegna and others, and suggests that the work has a "patchwork" effect, since "the parakeet, the marten, the pair of rabbits, and the leopard-stag group seem glued onto the landscape". 32 Below, as will be exemplified by the detail of the lion, we can see that no "patchwork" exists in Carpaccio's Meditation, since, just as Borroughs maintained, every detail in this magnificent, mysterious painting, is well calculated.…”
Section: Provenance and Literature Reviewmentioning
confidence: 99%