2007
DOI: 10.1142/s0218348x0700337x
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Structural Scaling in Bach's Cello Suite No. 3

Abstract: The Bourrée Part I from Johann Sebastian Bach's Cello Suite No. 3 provides a clear example of structural scaling. The recursive form of this structure can be visualized in the manner of a well known fractal construction — the Cantor set.

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Cited by 7 publications
(1 citation statement)
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“…Rather, human behaviors, like many other natural processes, reveal fractal, power-law scaling (Brown & Liebovitch, 2010;West & Deering, 1995), including heart beats (Goldberger et al, 2002), posture (Blaszczyk & Klonowski 2001), gait (Hausdorff, Peng, Ladin, Wei & Goldberger, 1995), reaction time (Holden, 2002), speech (Kello, Anderson, Holden, & Van Orden, 2008), visual search (Aks, Zelinsky & Sprott, 2002), memory retrieval (Rhodes & Turvey, 2007), music (Brothers, 2007), and self-esteem (Delignières, Fortes, & Ninot, 2004). Like geometric fractals, these processes display self-similar, scale-invariant structure such that small-scale variation reveals the same pattern as large-scale variation (Mandelbrot, 1983).…”
mentioning
confidence: 99%
“…Rather, human behaviors, like many other natural processes, reveal fractal, power-law scaling (Brown & Liebovitch, 2010;West & Deering, 1995), including heart beats (Goldberger et al, 2002), posture (Blaszczyk & Klonowski 2001), gait (Hausdorff, Peng, Ladin, Wei & Goldberger, 1995), reaction time (Holden, 2002), speech (Kello, Anderson, Holden, & Van Orden, 2008), visual search (Aks, Zelinsky & Sprott, 2002), memory retrieval (Rhodes & Turvey, 2007), music (Brothers, 2007), and self-esteem (Delignières, Fortes, & Ninot, 2004). Like geometric fractals, these processes display self-similar, scale-invariant structure such that small-scale variation reveals the same pattern as large-scale variation (Mandelbrot, 1983).…”
mentioning
confidence: 99%