Abstract:In modern architectural debate, buildings are made by their description in the literature as much as they are defined by the reality of their construction. On this point, a relatively small glitch in the celebratory narrative of the roof of the Sydney Opera House – four columns that do not appear in the descriptions of the building – offers the opportunity to reflect on the generation of architecture’s canons and perhaps the perceived need to elevate the subject matter by abstracting the engineering of its con… Show more
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