Strindberg on Drama and Theatre

Törnqvist, Egil; Steene, Birgitta

doi:10.5117/9789053560204

Cited by 11 publications

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“…Ett annat digert fält som fortsätter att utforskas från perioden före 1963 är Strindbergs inflytande på, samt kontakter med, andra delar av världen. Här fortsätter förverkligandet av en uppenbar tendens att inrangera Strindberg i ett globalt sammanhang, med studier som Strindberg i Danmark (Lennart Luthan-der, 1977), 106 Strindberg och den polska teatern 1890-1970 (Andrzej Uggla, 1977), 107 Skandinavische Dramatik in Deutschland (Wolfgang Pache, 1979), 108 "Strindberg i Nederländerna" (Egil Törnqvist, 1987), 109 om Strindbergs inflytande i Australien (Anita Segerberg, 1992), 110 "Strindberg i Litauen" (Vida Savičiūnaitė, 1993), 111 "Avtryck i Japan" (Mats Karlsson, 1996), 112 Strindberg: the Moscow papers (red. Michael Robinson, 1998), 113 "Strindberg i Bulgarien" (Vera Gantjeva, 2000), 114 Strindberg och det franska språket (red.…”

Section: Strindberg: Internationell Och Nationellunclassified

“…Olof Eriksson, 2004), 115 Strindberg's Miss Julie in English (Margareta Fürst Mattsson, 1975), 116 Nordisk teater i Montevideo (Louise von Bergen, 2006), 117 Strindberg i Grez (Kåa Wennberg, 2007) 118 och "Sinicus rapticus: August Strindberg, China and the Chinese language" (Björn Meidal, 2008). 119 Denna ansats förstärks av studier som Yair Mazors, där Strindberg definieras som en del av mötet mellan Skandinavisk och hebreisk litteratur (1987), 120 samt titlar som "Strindberg the European" (Egil Törnqvist, 1995), 121 Strindberg på resa (Carl Olov Sommar, 1995), 122 Strindberg och hans översättare (red. Björn Meidal och Nils Åke Nilsson), 123 och Strindberg i världen (red.…”

Section: Strindberg: Internationell Och Nationellunclassified

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Från diagnostisering till intersektionalitet

Lönngren¹

2011

TfL

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From Diagnosis to Intersectionality: Strindberg Research from 1963–2011 This article was written as a sequel to Göran Lindström’s article in Svensk litteraturtidskrift (Swedish Literature Magazine) in 1962, and consists of a qualitative, evaluative survey of research on the Swedish author August Strindberg (1849–1912) during the period 1963–2011. A selection of more or less new sub-fields (such as music, TV, radio, film, prose and poetry) arise within the larger field of research on Strindberg’s life and works during this time. Simultaneously, research on drama, modernity, history and mysticism continues to develop. The field of psychological studies underwent major transformations during this period, as tendencies to diagnose the author shifts to a discussion of the historical production of concepts such as “madness”. This tendency is also visible in the field of biographical research, where the intention to reveal the “truth” about the author gives way to investigations of the “author” as a literary function. Furthermore, the same development could be seen in the field that went through the most rapid and thorough change and expansion, gender studies, where attention shifts from investigating Strindberg’s relationship to women to a discussion of the historical production of norms concerning gender and sexuality. My conclusion was, however, that gender studies as well as the discussion of Strindberg as a national author need to employ a more intersectional approach in the future to further deepen and develop these fields. In 1962, Lindström called for additional pieces to add to the Strindberg-puzzle. In 2011, I ask for further development of the critical meta-perspectives on the great cultural construct known as “Strindberg”.

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Section: Strindberg: Internationell Och Nationellunclassified