Abstract:The chapter is dedicated to demonstrating artivist aesthetic discourses produced in converging relations between urban space, street art, intersectional feminism (gender, class, ethnicity), and digital technologies in a post-pandemic context. The research results derived from three stages: a survey of state-of-the-art study on relations between street art, feminist artivism, and digital media art; production and application of autoethnographic data in the creation of digital artistic artefact; and curatorship … Show more
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