2023
DOI: 10.3390/soc13030054
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Street Art in Aveiro: City Walls as Dialogic Spaces of Collective Memories and Identity

Abstract: In urban centers around the world, street art has become an unavoidable element of the landscape. Located in west-central Portugal, Aveiro is no exception to this trend, and the art form has been used to enhance the cultural vibrancy of a place where tourism is one of the most important economic pillars. Seeking to look beyond the value of street art as a tourism product, by combining observations and photos from field research with bibliographic and documental data, as well as residents’ responses on social m… Show more

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Cited by 3 publications
(1 citation statement)
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“…In times of war, art, especially socially engaged art, becomes a tool that serves new and usually different purposes pursued by its creators than in peacetime. This is because it becomes a way of showing the truth about the battles (Rolston 2018), or an element of constructing an appropriate image in an effort to win public sympathy for political decisions taken by the state (Rolston 2018;Goalwin 2013); it is used as a form of support expressed to those caught up in armed action, to build national identity and memory (Simoes 2023;Hołda 2020). In such circumstances, artists can be witnesses, interpreters, historians of war, and those who protest most loudly against it (Kukiełko-Rogozi ńska 2021).…”
Section: Introductionmentioning
confidence: 99%
“…In times of war, art, especially socially engaged art, becomes a tool that serves new and usually different purposes pursued by its creators than in peacetime. This is because it becomes a way of showing the truth about the battles (Rolston 2018), or an element of constructing an appropriate image in an effort to win public sympathy for political decisions taken by the state (Rolston 2018;Goalwin 2013); it is used as a form of support expressed to those caught up in armed action, to build national identity and memory (Simoes 2023;Hołda 2020). In such circumstances, artists can be witnesses, interpreters, historians of war, and those who protest most loudly against it (Kukiełko-Rogozi ńska 2021).…”
Section: Introductionmentioning
confidence: 99%