Strategische Rückgriffe der extremen Rechten auf Mythen und Symbole

Schuppener, Georg

doi:10.1007/978-3-658-01984-6_15

Cited by 2 publications

(4 citation statements)

References 6 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Endzeit-Klänge – freely translated as End Time Sounds), and song lyrics (e.g. in “Odin’s Land”, “Vikings”) (Schuppener 2016:321, 325). It is narrowly interpreted and misused as an extreme right-wing form of expression (Schuppener 2016:331).…”

Section: Music and Right-wing Extremismmentioning

confidence: 99%

“…It is narrowly interpreted and misused as an extreme right-wing form of expression (Schuppener 2016:331). Thereby, the Germanic tribes’ descent is perceived and characteristics and virtues such as loyalty, fearlessness, honor, courage, and readiness for sacrifice are idealized to distinguish oneself from the contemporary culture also in a moral way (Schuppener 2016:332). The propagated hereditary view also includes their own heritage from Germanic gods (Schuppener 2016:331).…”

Section: Music and Right-wing Extremismmentioning

confidence: 99%

“…Thereby, the Germanic tribes’ descent is perceived and characteristics and virtues such as loyalty, fearlessness, honor, courage, and readiness for sacrifice are idealized to distinguish oneself from the contemporary culture also in a moral way (Schuppener 2016:332). The propagated hereditary view also includes their own heritage from Germanic gods (Schuppener 2016:331). Beyond a mere foundation of identity, qualities attributed to the gods – e.g.…”

Section: Music and Right-wing Extremismmentioning

confidence: 99%

“…Beyond a mere foundation of identity, qualities attributed to the gods – e.g. power and violence – are thus transferred to themselves, and at the same time, their own identity is glorified (Schuppener 2016:331).…”

Section: Music and Right-wing Extremismmentioning

confidence: 99%

See 3 more Smart Citations

The Soundtrack of the Extreme: Nasheeds and Right-Wing Extremist Music as a “Gateway Drug” into the Radical Scene?

Möller

Mischler

2020

Int. ann. criminol.

View full text Add to dashboard Cite

Music plays an important role in both the right-wing extremist and the Salafi jihadist scenes as a unifying and radicalizing factor. It is used to share propaganda and highlight specific ideologies. Music is disseminated by various means, e.g. via social media, and used strategically to attract potential new members. The aims of right-wing extremist music and the Salafi jihadist nasheeds are, among other things, to inspire the youth, reach out to a worldwide audience of potential sympathizers, and disseminate their absolutist worldview. To achieve these goals, seemingly objective depictions of negative everyday experiences, of oppression, and the need for resistance are utilized. The songs are usually associated with violent content, and in conjunction with videos, they illustrate the perceived need to defend oneself. In this article, we will take a closer look at the content of four selected extremist songs. Our analysis of the content is based on a triangulation of sequential text analysis methods and identifies the differences and comparable elements of the ideologies in a final step. In addition to the content, the research aims to examine the possible effects of extremist groups’ music.

show abstract

Section: Music and Right-wing Extremismmentioning

confidence: 99%