“…While previously recognised as a potential but unexplored area of study, it now boasts a sizable bibliography. Scholars have examined the notion that royal authority was grounded in a form of performance (Berenson and Giloi, 2010;Roach, 2007), the influence of literary trends and market forces on the stylisation of monarchs (Pečar, 2016;Sharpe, 2009;Skerpan-Wheeler, 2011), the direct involvement of royals in celebrity culture (Garrett, 2022;Giloi et al, 2022;Wick, 2021), and the proposition that celebrity's roots have to do with early modern construction of monarchic images (Cowan, 2019;Rojek, 2019). It is increasingly recognised that the authority of eighteenth-and nineteenth-century monarchs was not solely dependent on representative projection or propaganda: their active participation with the broader culture of spectacle played a crucial role in shaping public perceptions, enhancing their legitimacy, and establishing a personal connection with their.…”