Abstract:Why did Mel Brooks name one of the main characters in The Producers (1967) after James Joyce's Leopold Bloom? Tracing the meanings of that name over the course of a half century, from Joyce's Ulysses (1922) to the stage adaptation Ulysses in Nighttown (1958) to Brooks's film, illuminates how the landmark modernist novel not only acquired outsize significance for American Jewish readers but in fact became a Jewish text. Having affiliated itself with highbrow Joycean modernism in a bid for respectability, Jewish… Show more
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