2003
DOI: 10.1109/tsp.2003.809384
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Spread-spectrum watermarking of audio signals

Abstract: Watermarking has become a technology of choice for a broad range of multimedia copyright protection applications. Watermarks have also been used to embed format-independent metadata in audio/video signals in a way that is robust to common editing. In this paper, we present several novel mechanisms for effective encoding and detection of direct-sequence spread-spectrum watermarks in audio signals. The developed techniques aim at i) improving detection convergence and robustness, ii) improving watermark impercep… Show more

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Cited by 328 publications
(166 citation statements)
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“…Darko Kirovski and Henrique S. Malvar [13] proposed present several novel mechanisms for effective encoding and detection of direct-sequence spread-spectrum watermarks in audio signals. The developed techniques aim at 1) Improving detection convergence and robustness 2) Improving watermark imperceptiveness, 3) Preventing desynchronization attacks, 4) Alleviating estimation/removal attacks, and finally, 5) Establishing covert communication over a public audio channel.…”
Section: Historymentioning
confidence: 99%
“…Darko Kirovski and Henrique S. Malvar [13] proposed present several novel mechanisms for effective encoding and detection of direct-sequence spread-spectrum watermarks in audio signals. The developed techniques aim at 1) Improving detection convergence and robustness 2) Improving watermark imperceptiveness, 3) Preventing desynchronization attacks, 4) Alleviating estimation/removal attacks, and finally, 5) Establishing covert communication over a public audio channel.…”
Section: Historymentioning
confidence: 99%
“…As for our scheme, the payload, with 4 bits per frame, is $ 187 bps. This is a comparatively high capacity when compared to audio watermarking schemes described in [15,[41][42][43][44][45][46][47][48][49]51]. The payload capacity of the scheme can be improved by embedding more than 4 bits in each frame by modifying more elements in the second column of U.…”
Section: Capacitymentioning
confidence: 99%
“…Most audio watermarking algorithms use either a time domain [6,7] or frequency domain [8][9][10] masking property to embed a watermark [3,4]. Our previous work has considered a watermarking scheme utilizing the CSPE algorithm to encode the cover signal [60].…”
Section: Introductionmentioning
confidence: 99%
“…Van der Veen et al published an audio watermarking technology that survives air transmission on an acoustical path and numerous other robustness tests while being perceptionally transparent [2]. The algorithm of Kirovski and Malvar [3] embeds about 1 bit per second (half as much as the one in [1]) and is even more robust (against the Stirmark Benchmark [4]). Arnold et al presented an adaptive spread phase modulation (ASPM) that embeds an inaudible watermark with good robustness [5].…”
Section: Introductionmentioning
confidence: 99%