Sprachliche Merkmale der erlebten Rede im Deutschen und Polnischen

Socka, Anna

doi:10.1515/9783110936896

Cited by 4 publications

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“…The approach to reported speech sketched by Vološinov (1930) anticipates this observation. Vološinov's (1930) idea that reported speech involves the mixing of voices of multiple types is epitomised in the phenomenon of 'free (in)direct speech' (Bally 1912;Kurt 1999;Lips 1926;Socka 2004;Tomasik 1992;Vološinov 1930). This phenomenon takes many different forms, but can to some degree be defined as expressions of direct or indirect speech that receive no or atypical marking.…”

Section: Complicationsmentioning

confidence: 99%

Quotations and Quotatives

Encyclopedia of Slavic Languages and Linguistics Online

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This chapter introduces quotation (more precisely, direct and indirect speech) and quotatives in Slavic. The second category is defined here as a variety of strategies presenting a reported message as an utterance spoken or thought at a moment other than the current moment of speech, but formulated in the here-and-now by the current speaker and often signalled through particles. The chapter discusses several different approaches to these phenomena and illustrates them using corpus examples. It concludes with three complications in the classification and analysis of quotation and quotatives.

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Section: Complicationsmentioning

confidence: 99%

Quotations and Quotatives

Encyclopedia of Slavic Languages and Linguistics Online

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Alles eine Frage der Perspektive – Zur sogenannten erlebten Rede im narrativen Text

Holler

2019

Zeitschrift Für Germanistische Linguistik

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Abstracts Erlebte Rede (free indirect style) is a narrative technique used to present reports of consciousness which to some extent blends direct and indirect speech. It is characterized by the interaction of specific linguistic markers which allow the presentation of a character’s point of view while simultaneously maintaining the narrative frame. A character’s thoughts are expressed in the third person, indicative and narrative tense giving the impression that the voice of both the narrator and the character somehow overlap. This contribution summarizes the research on erlebte Rede, focussing on German. Regarding narratological aspects, I discuss linguistic problems specific to identification and analysis of texts which employ erlebte Rede. This paper primarily addresses the use of erlebte Rede in fiction, although it is also found in non-fiction.

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Grammatik der Narration

Zeman¹

2020

Zeitschrift Für Germanistische Linguistik

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Is there a ‚narrative syntax‘, i. e. a special grammar restricted to narrative fiction? Starting from this question which has been investigated since early structuralism, the paper focusses on grammatical characteristics of narrative discourse mode and their implications for a linguistic theory of narration. Its goal is two-fold: In a first step, the traditional accounts by Benveniste, Hamburger, Kuroda and recent typological studies are brought together in order to support the claim that the distinction between narrative and non-narrative discourse mode is a fundamental one that has consequences for the use of grammar. In a second step, I discuss three central questions within the intersection between narrative micro- and macro-structures, namely (i) the definition of narrativity, (ii) the status of the narrator, and (iii) the relation between narration and fictionality. In sum, the article argues that investigations on the ‘grammar of narration’ do not just offer insights into a specific text configuration next to others, but are deeply linked to fundamental theoretical questions concerning the architecture of language – and that the comparison between linguistic and narratological categories offers a potential for addressing them.

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Sprachliche Merkmale der erlebten Rede im Deutschen und Polnischen

Cited by 4 publications

References 0 publications

Quotations and Quotatives

Quotations and Quotatives

Alles eine Frage der Perspektive – Zur sogenannten erlebten Rede im narrativen Text

Grammatik der Narration

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