Abstract:Background The author argues for a reconsideration of Robert Smithson’s relationship to the spatial discourse and proto-media studies of Wyndham Lewis and his Canadian protégé Marshall McLuhan.Analysis Through a comparative reading of a lesser-known Lewis text and Smithson’s photo-essays and related earthworks, the article sets out to re-evaluate the American artist’s mock-Platonic “earth maps” as mobilizing cinematic and spatial metaphors deployed by Lewis’ satirical travel writings; in particular, Lewis’ ex… Show more
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