Spinoza in Vegas, Sturtevant Everywhere: A Case of Critical (Re‐)Discoveries and Artistic Self‐Reinventions

Schaar, Elisa

doi:10.1111/j.1467-8365.2010.00785.x

Art History

2010

DOI: 10.1111/j.1467-8365.2010.00785.x

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Spinoza in Vegas, Sturtevant Everywhere: A Case of Critical (Re‐)Discoveries and Artistic Self‐Reinventions

Elisa Schaar¹

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2021

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Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process

Petri

2021

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This article considers the dichotomy of originals and copies in the specific context of photographs of objects that recreate an existing work of art or a documentary photograph. The examples span the period from the mid-nineteenth century to contemporary photographic practices. The traditional legal regulation of such copies is unsatisfactory compared with more recent theoretical approaches, as those proposed here. These approaches encompass the two modes of photographic copies after recreated realities: they simultaneously preserve identities and create original alterations.

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Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process

Petri

2021

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Spinoza in Vegas, Sturtevant Everywhere: A Case of Critical (Re‐)Discoveries and Artistic Self‐Reinventions

Cited by 1 publication

References 3 publications

Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process

Recreated Subjects, Reconstructed Copies: Considerations on the Photographic Process

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