Spectres: When Fashion Turns Back

Taylor, Lou

doi:10.1111/j.1467-8357.2006.00627_2.x

Cited by 3 publications

(1 citation statement)

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“…Furthermore, calls made by birds and other animals would also be melodic when mimicked. For example, the Aboriginal tradition of gumleaf playing 1 in Australia grew from mimicking bird calls to playing full complex melodies (Taylor, 2015). We propose that as these sounds were mimicked and combined in the service of creating more immersive storytelling, music was born.…”

Section: The Socio-affective Fiction Theorymentioning

confidence: 99%

Music as an Evolved Tool for Socio-Affective Fiction

Trevor,

Frühholz

2024

Emotion Review

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The question of why music evolved has been contemplated and debated for centuries across multiple disciplines. While many theories have been posited, they still do not fully answer the question of why humans began making music. Adding to the effort to solve this mystery, we propose the socio-affective fiction (SAF) hypothesis. Humans have a unique biological need for emotion regulation strengthening. Simulated emotional situations, like dreams, can help address that need. Immersion is key for such simulations to successfully exercise people's emotions. Therefore, we propose that music evolved as a signal for SAF to increase the immersive potential of storytelling and thereby better exercise people's emotions. In this review, we outline the SAF hypothesis and present cross-disciplinary evidence.

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Section: The Socio-affective Fiction Theorymentioning

confidence: 99%

Music as an Evolved Tool for Socio-Affective Fiction

Trevor,

Frühholz

2024

Emotion Review

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Museum Quality: The Rise of the Fashion Exhibition

Steele

2008

Fashion Theory

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This article surveys the history of museum fashion exhibitions, and explores some of the reasons why they have so often been controversial. Issues such as corporate sponsorship, curatorial independence, and historical accuracy are analyzed in connection with a range of exhibitions. In particular, the article considers the influence of Diana Vreeland's exhibitions at the Costume Institute and the issues that are raised when an exhibition is devoted to a single famous designer, such as Armani, Versace, or Vivienne Westwood.

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“We're Not in the Fashion Business”: Fashion in the Museum and the Academy

McNeil

2008

Fashion Theory

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Spectres: When Fashion Turns Back

Cited by 3 publications

References 0 publications

Music as an Evolved Tool for Socio-Affective Fiction

Music as an Evolved Tool for Socio-Affective Fiction

Museum Quality: The Rise of the Fashion Exhibition

“We're Not in the Fashion Business”: Fashion in the Museum and the Academy

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