Abstract:In this paper, I apply theories of metric cognition, especially Justin London’s theory of meter as entrainment behavior (2012), to analysis of form in the first section ofVortex Temporum I(Rehearsal numbers 1–37). I analyze this section in terms of listeners’ evolving entrainment responses to its meters, finding that the first section outlines a changing relationship with meter from subconscious expectation to conscious audition. I ground my analysis in Grisey’s temporal theory (1987) and theories of musical c… Show more
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