Specifics of Artistic Culture of the Krasnoyarsk Territory (Krai) Based on Artwork Analysis

Avdeeva, Yuliya N.; Degtyarenko, Kseniya A.; Авдеева, Ю.Н.; Дегтяренко, К.А.; Shpak, Anna A.

doi:10.17516/1997-1370-0137

Cited by 2 publications

(1 citation statement)

References 3 publications

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“…The articles of Krasnoyarsk authors on the ability of architectural spaces to form people's ideas about themselves, about society and about the world, i.e. person's cultural identity, are devoted to its study (Tarasova, Grigorieva, 2011;Pimenova, Marysheva, 2011;Mirkes, Sergeeva, 2011;Kolesnik, Mirkes, 2011;Kistova, Tamarovskaya, 2015;Ilbeykina et al, 2015;Avdeeva, Degtyarenko, Shpak, 2017). This process is also impossible without appealing to the visual arts of the region (Sertakova, Gerasimova, 2011;Semyonova, Bralkova, 2011;Bulak, 2014;Bulak, 2018;Amosova et al, 2019) and paintings of some artists (Semenova, Soshenko, 2011;Kolesnik, et al 2017;Panteleeva, 2018).…”

Section: Introductionmentioning

confidence: 99%

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

Kistova

Bulak

Pimenova

et al. 2020

Journal of Siberian Federal University. Humanities &Amp; Social Sciences

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The Yenisei river occupies a significant place both in the sphere of regional identity and in paintings and graphic works of Krasnoyarsk artists, since it forms the image of Krasnoyarsk and is a connecting link of the Yenisei Siberia. The article analyses paintings and graphic works of Krasnoyarsk artists to identify the features of the image of the Yenisei in regional art. The study is based on the theoretical principles of the modern theory of visual arts and on the analysis of the selected paintings and graphic works of Krasnoyarsk artists of the 20th and 21st centuries from the collection of the Krasnoyarsk Art Museum named after V.I. Surikov. A wide range of sources, including studies of ethnocultural identity, the specific features of artistic culture and the characteristics of Krasnoyarsk landscapes is considered. In the process of comparing the analysis results, it has been revealed that for Krasnoyarsk artists the Yenisei is not only the embodiment of endless natural forces, but also a connecting and harmonising link between the human world and the natural world, at the same time representing a special identity of Siberians (Amosova, et al., 2019)

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Section: Introductionmentioning

confidence: 99%

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

Kistova

Bulak

Pimenova

et al. 2020

Journal of Siberian Federal University. Humanities &Amp; Social Sciences

View full text Add to dashboard Cite

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Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota)

Sirenko,

Zamaraeva

2023

Asia, America and Africa History and Modernity

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This article reveals the conceptual content of the concept of “participatory practices” and presents the results of an analysis of selected works by contemporary Japanese artist Chiharu Shiota, known for creating large-scale installations and performances, as well as art paintings and sculptures. The main material of the artist is woolen threads, the main principle of the construction of the work is modular. The artist is often compared to a spider – from threads of black, white and red colors she spins huge labyrinth webs, into which from one to many homogeneous objects are often woven: chairs, dresses, shoes, keys, pieces of paper and so on. The authors of the article proposed a classification of works, on the basis of which a rather voluminous work of the artist is structured: by the principle of using threads, by the color of the threads, by the type of objects used, by topic, by the way the viewer interacts with the work.

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Specifics of Artistic Culture of the Krasnoyarsk Territory (Krai) Based on Artwork Analysis

Cited by 2 publications

References 3 publications

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

The Image of the Yenisei in the Paintings of Krasnoyarsk Artists

Participatory practices of contemporary art (based on the analysis of works of art by Chiharu Shiota)

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