2001
DOI: 10.1515/text.2001.010
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Spatial reference in narrative domains

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Cited by 24 publications
(15 citation statements)
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“…The construction of this illness identity is compounded by Claire's positioning as passive in relation to the other characters, produced through verbal and non‐verbal spatial referents. Spatial referents track the movement of objects in space from the deictic centre of the narrator's perspective, providing ‘not merely descriptive backdrop but information needed to interpret an action structure’ (Herman : 526). While Claire does not actively ‘go out’ to places beyond the home (a verb which would imply active movement away from a central point in space), other characters do ‘come in’ to the narrated space she occupies (l.5, 6–7).…”
Section: The Chair: the Immobile Body And The Making Of An Illness Idmentioning
confidence: 99%
“…The construction of this illness identity is compounded by Claire's positioning as passive in relation to the other characters, produced through verbal and non‐verbal spatial referents. Spatial referents track the movement of objects in space from the deictic centre of the narrator's perspective, providing ‘not merely descriptive backdrop but information needed to interpret an action structure’ (Herman : 526). While Claire does not actively ‘go out’ to places beyond the home (a verb which would imply active movement away from a central point in space), other characters do ‘come in’ to the narrated space she occupies (l.5, 6–7).…”
Section: The Chair: the Immobile Body And The Making Of An Illness Idmentioning
confidence: 99%
“…Locativity is indeed inherent to fiction and spatial and temporal reference is not an optional or peripheral feature of narration but a core property that helps constitute narrative domains (cf. Herman 2001). However, the case of fiction is slightly different from that of conversation since reference is made to text-internal physical and temporal situations.…”
Section: + Explicit Text-internal Reference (+Endophoric Reference) 7mentioning
confidence: 99%
“…Some of this work claims that it can be more difficult than L suggests to distinguish narrative from other genres. Herman () argues that while temporal juncture is necessary in order for a sequence of clauses to be interpreted as narrative, it is not sufficient, and that it is thus hard to draw a line between narration and description. Other scholars have found it useful to distinguish multiple narrative genres, both in everyday conversation and in more formal contexts.…”
Section: Uptake and Critique Of ‘Oral Versions’mentioning
confidence: 99%