2020
DOI: 10.1111/anti.12607
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Spatial Poetics Under Authoritarianism: Graffiti and the Contestation of Urban Redevelopment in Contemporary China

Abstract: This article investigates the expression of resistance to urban redevelopment in the authoritarian context of contemporary China. Where conventional channels of public expression are closed, the very space of urban transformation becomes an important medium of contestation. Through the practice of "spatial poetics", residents manipulate the taken-for-granted meanings attached to urban space, challenging the spatial codes that authorise redevelopment. Working across four spatial dimensions-territory, place, sca… Show more

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Cited by 6 publications
(14 citation statements)
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“…For example, not only in China, but also Vietnam, another socialist country shares high similarities with China, have examples that illustrated how protests, either in overt or covert forms, made them sustain their living and helped them claim their benefits. For example, graffiti, slogans and scrawls are considered by Smith (2020) as a way of ‘spatial poetics’ in Chongqing, arguing it is a successful expression that prevented relocation and increased displacees’ compensation, highlighting their houses are part of cultural heritage rather than demolition and dilapidation; Zhai and Ng (2013) detail how a Muslim ethnic group with a high level of social capital in Xi’an protested for their rights to stay during the urban regeneration process. Similarly, in Hanoi, shows that street vendors’ covert resistance challenged dominant discourses at play (Turner and Schoenberger, 2012).…”
Section: Unravelling China’s Paradoxical Participatory Governancementioning
confidence: 99%
See 4 more Smart Citations
“…For example, not only in China, but also Vietnam, another socialist country shares high similarities with China, have examples that illustrated how protests, either in overt or covert forms, made them sustain their living and helped them claim their benefits. For example, graffiti, slogans and scrawls are considered by Smith (2020) as a way of ‘spatial poetics’ in Chongqing, arguing it is a successful expression that prevented relocation and increased displacees’ compensation, highlighting their houses are part of cultural heritage rather than demolition and dilapidation; Zhai and Ng (2013) detail how a Muslim ethnic group with a high level of social capital in Xi’an protested for their rights to stay during the urban regeneration process. Similarly, in Hanoi, shows that street vendors’ covert resistance challenged dominant discourses at play (Turner and Schoenberger, 2012).…”
Section: Unravelling China’s Paradoxical Participatory Governancementioning
confidence: 99%
“…Though following government instructions is a deep rooted traditional Chinese culture of deference to authority (Zhang, 2002), Chinese citizens are highly adaptive to strategise and manipulate their conditions of living, to get involved within power relations for their own benefits (Logan, 2018; Su, 2015). Expressions such as graffiti, slogans and scrawls are common to see in neighbourhoods that are undergoing demolition and redevelopment, as a way of China’s own repertoire of public expression (Smith, 2020). Usually, these ‘spatial poetics’ echoed government slogans, such as ‘protect heritage is everyone’s duty’, by satirising the inconsistency of government’s claims between policy and reality (Smith, 2020).…”
Section: Unravelling China’s Paradoxical Participatory Governancementioning
confidence: 99%
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