“…The 12 various pitch classes are referred to as chroma [38] features or chromagrams. Chroma-based characteristics, referred to as "pitch class profiles", are useful for evaluating music with usefully classified pitches (typically in 12 groups) and for tuning which approximates the equal-tempered scale.…”
This work aims to provide a novel multimodal sarcasm detection model that includes four stages: pre-processing, feature extraction, feature level fusion, and classification. The pre-processing uses multimodal data that includes text, video, and audio. Here, text is pre-processed using tokenization and stemming, video is pre-processed during the face detection phase, and audio is pre-processed using the filtering technique. During the feature extraction stage, such text features as TF-IDF, improved bag of visual words, n-gram, and emojis as well on the video features using improved SLBT, and constraint local model (CLM) are extraction. Similarly the audio features like MFCC, chroma, spectral features, and jitter are extracted. Then, the extracted features are transferred to the feature level fusion stage, wherein an improved multilevel canonical correlation analysis (CCA) fusion technique is performed. The classification is performer using a hybrid classifier (HC), e.g. bidirectional gated recurrent unit (Bi-GRU) and LSTM. The outcomes of Bi-GRU and LSTM are averaged to obtain an effective output. To make the detection results more accurate, the weight of LSTM will be optimally tuned by the proposed opposition learning-based aquila optimization (OLAO) model. The MUStARD dataset is a multimodal video corpus used for automated sarcasm Discovery studies. Finally, the effectiveness of the proposed approach is proved based on various metrics.
“…For instance, chroma vectors represent the dominant representation in order to extract the harmonic contents from music signals [18,60,40,25,26]. In audio scene recognition, recorded signals can be potentially composed of a very large amount of sound events.…”
Machine hearing or listening represents an emerging area. Conventional approaches rely on the design of handcrafted features specialized to a specific audio task and that can hardly generalized to other audio fields. For example, Mel-Frequency Cepstral Coefficients (MFCCs) and its variants were successfully applied to computational auditory scene recognition while Chroma vectors are good at music chord recognition. Unfortunately, these predefined features may be of variable discrimination power while extended to other tasks or even within the same task due to different nature of clips. Motivated by this need of a principled framework across domain applications for machine listening, we propose a generic and data-driven representation learning approach. For this sake, a novel and efficient supervised dictionary learning method is presented.
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