Abstract:This essay analyzes the infamously strange dialogue of For Whom the Bell Tolls (1940), in which characters speak English through a modified version of Spanish syntax, false cognates, and peculiar diction. It argues that Hemingway's creation of an Anglo-Spanish literary dialect represents not a political statement on the Spanish Civil War but an attempt to synthesize and recover the moments of interpenetration between English and Spanish since the 1600s. Hemingway's mode of dialogue in the novel is thus a “stru… Show more
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