2018
DOI: 10.5406/bulcouresmusedu.215.0075
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Space to Share: Interactions Among Music Teachers in an Online Community of Practice

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Cited by 14 publications
(21 citation statements)
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“…Weimer and Albert (2022) found a mentoring network provided music teachers support and empathy, facilitated connections and reflection, and offered suggestions for strategies and resources. Music education researchers have examined participation in social media groups and found it provides music teachers opportunities to interact with colleagues, receive advice, network, and gain new perspectives (Bernard et al, 2018; Brewer & Rickels, 2014; Rickels & Brewer, 2017). Much like SN’s vision for a community of support through the Teaching Music with Chronic/Autoimmune Illness Facebook group, perhaps social media groups and mentoring networks developed by music teachers with chronic illnesses and designed for teachers with chronic illnesses could create similar experiences.…”
Section: Discussionmentioning
confidence: 99%
“…Weimer and Albert (2022) found a mentoring network provided music teachers support and empathy, facilitated connections and reflection, and offered suggestions for strategies and resources. Music education researchers have examined participation in social media groups and found it provides music teachers opportunities to interact with colleagues, receive advice, network, and gain new perspectives (Bernard et al, 2018; Brewer & Rickels, 2014; Rickels & Brewer, 2017). Much like SN’s vision for a community of support through the Teaching Music with Chronic/Autoimmune Illness Facebook group, perhaps social media groups and mentoring networks developed by music teachers with chronic illnesses and designed for teachers with chronic illnesses could create similar experiences.…”
Section: Discussionmentioning
confidence: 99%
“…This unobtrusive or passive immersive mode enables researchers to be "invisible onlookers" in a context-dependent fashion (Lenihan, 2011, p. 55) systematically observing, familiarizing themselves, and analyzing the culture in these digital spaces. Despite some criticism for not being truly ethnographic, this method has recently been adopted by scholars conducting investigations focusing on online communities for teachers (e.g., Bernard, Weiss & Abeles, 2018;Tønnessen, 2019). Considering the fact there is no significant difference between lurking and being a part of the community for most participants, these criticisms driven by traditional formulations of ethnography have been ignored within the scope of this project.…”
Section: Methods Data Sources Collection and Analysismentioning
confidence: 99%
“…CoP theory has been used as a framework in music education research to explore children's music-making and communication, 14 conduct case studies of high school music programs, 15 and investigate music teachers' CoPs. 16 Wenger also notes that virtual communities can introduce exciting possibilities for CoPs. 17 Virtual CoPs open membership to people beyond physical boundaries and can therefore house a range of individuals with varying expertise levels, fluid roles and responsibilities, and a shared purpose within an area of knowledge.…”
Section: Communities Of Practicementioning
confidence: 99%
“…Online CoPs are a valuable resource for music teachers. Social media have pivotally bridged teachers with musically situated communities, 35 preventing feelings of isolation. 36 Online CoPs through social media are especially useful as professional development due to a learning community consisting of members from various locations, ages, and musical and professional backgrounds.…”
Section: Social Media For Bridging Copsmentioning
confidence: 99%